Kantara

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When greed paves the way for betrayal, scheming and murder, a young tribal reluctantly dons the traditions of his ancestors to seek justice.

Kantara (2022) on IMDb

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80%

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3.4

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Summary

Kantara (transl. Mystical Forest)

Kantara (transl. Mystical Forest)

Kantara (transl. Mystical Forest) is a 2022 Indian Kannada-language action thriller film written and directed by Rishab Shetty, and produced by Vijay Kiragandur, under Hombale Films. The film stars Rishab Shetty in a dual role with Kambala champion who is at loggerheads with an upright forest officer, Murali (played by Kishore).

Set and filmed in Keradi in coastal Karnataka, principal photography began in August 2021. The cinematography was handled by Arvind S. Kashyap, with B. Ajaneesh Loknath scoring music for the film and the action sequences were choreographed by the action director Vikram More. The production design was handled by debutant, Dharani Gange Putra.

The film was released on 30 September 2022 to critical acclaim, with praise for its cast performances (particularly those of Shetty and Kishore), direction, soundtrack, and the portrayal of Bhuta Kola. It was a major commercial success and emerged as the second highest-grossing Kannada film of all time after K.G.F: Chapter 2, released the same year. It was also 2022’s fourth highest-grossing film in India. A prequel called Kantara: Chapter 1 has been announced. Kantara was featured at the 54th IFFI Indian panorama section, where it won the Silver Peacock – Special Jury Award.



Plot

1847: There lived a king that had a great kingdom as well as a loving wife and child, but could not find peace. He sets out on a journey to discover true happiness and comes upon a holy stone in a forest occupied by Panjurli Daiva, a deity that protects the villagers that reside in the forest. He donates a vast portion of his land to the villagers in exchange for taking the stone with him. Panjurli warns the king that his family and successors should keep their word and not reclaim the land, which will incur the wrath of Panjurli’s companion, the ferocious demigod named Guliga Daiva.

1970: The King’s descendant asks a Bhoota Kola performer, who is possessed by Panjurli to make the locals hand over the land to him, which the performer refuses and states the former will die vomiting blood if he tries to reclaim it. The descendant is skeptical of the performer’s possession by Panjurli, to which the performer replies he would vanish if he is possessed, after which he runs into a forest and is indeed never seen again. As warned and professed by the performer, the king’s successor dies mysteriously, vomiting blood a few months later on the steps of the court, where he was going to argue the land case

1990: Murali, a forest officer, is tasked with converting the villagers’ land into a forest reserve. However, he is challenged by Shiva, a Kambala athlete from the Kaadubettu village and the missing performer’s son. Shiva is backed by his patron and the village’s landlord, Devendra Suttooru, who is the king’s descendant in the present. Although Shiva has repeatedly been asked to perform the Bhoota Kola, he refuses due to the trauma of his father’s disappearance. Instead, his cousin Guruva takes his place. Murali and his staff start erecting a fence along the earmarked forest reserve and Shiva falls in love with his friend Leela. He uses his connections with Devendra to appoint her as a forest guard. The villagers try to stop the fencing, but the police and forest guards (including Leela) brutally suppress them, creating a rift between Leela and Shiva even though she was following orders and could do nothing about the situation.

As the feud between Murali and Shiva intensifies, Murali decides to arrest Shiva and his friends and heads to their hideout along with Devendra’s henchman Sudhakara. During the search, Murali’s jeep accidentally gets crushed by the trunk of a tree, which was cut by Shiva as the latter miscalculated the position of the jeep. While Murali survives with severe injuries, Shiva and his companions go undercover to avoid arrest. A few days later, they return to the village to meet their families; Shiva makes up with Leela and tells her that he will surrender. However, they are caught by the police and forest guards the next morning. Guruva asks Devendra to bail out Shiva, but during their conversation, Devendra tries to bribe him to impersonate Panjurli in the next Bhoota Kola and make the villagers hand over the land, revealing Devendra’s true intention of acquiring his land from the villagers. Guruva refuses and Devendra kills him. Learning that Murali has figured out his ulterior motive, Devendra decides to set Shiva against Murali.

Having learnt about Guruva’s death, Shiva meets Devendra, who lies that Murali is Guruva’s killer. Enraged, Shiva goes to kill Murali, but learns from his blacksmith friend Mahadeva that Devendra himself killed Guruva. While under the influence of drugs, Shiva is attacked by Devendra’s henchmen, but manages to escape and meet the villagers, whom Murali has told about Devendra’s land seizure. After Shiva reveals that Devendra killed Guruva, he and Murali set aside their grudge and unite the village. Devendra and his henchmen attack, leading to an intense battle where several of the villagers are killed. After nearly dying in the fight, Shiva hits his head against Panjurli’s stone. Guliga Daiva possesses Shiva, enabling him to brutally kill Devendra and his henchmen.

A few months after the battle, Shiva performs the Bhoota Kola, and is possessed by Panjurli. He, Murali and the villagers join hands in a symbolic gesture. Later, Shiva disappears into the forest after meeting what seems to be his father’s spirit. In the mid-credits scene, Shiva and Leela’s son asks Sundara about his father’s disappearance.



Also Known As

  • (original title): Kantara
  • Australia: Kantara: A Legend
  • Canada: Kantara(English)
  • Canada: Kantara(French)
Kantara
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Users Reviews

  1. suhas-01592

    What a movie… I was literally blown away by the dedication and acting of Rishabh Shetty. You need guts to pick the topic and execute in such a nice way. Mark my words this movie will get National Award. BGM, cinematography, direction and acting all were topnotch. Final 20 minutes of climax is unbelievable… never expected Rishabh Shetty got such an acting skill. Achyutha Kumar, Kishore acted really well… Daiva, kola, bootharadhane, kambala the classic culture of the Karavali Karnataka has been shown superbly. Goosebumps expected at every scene. Dont miss the climax its the core ot the movie.

    10.0 rating

    What a movie… I was literally blown away by the dedication and acting of Rishabh Shetty. You need guts to pick the topic and execute in such a nice way. Mark my words this movie will get National Award. BGM, cinematography, direction and acting all were topnotch. Final 20 minutes of climax is unbelievable… never expected Rishabh Shetty got such an acting skill. Achyutha Kumar, Kishore acted really well… Daiva, kola, bootharadhane, kambala the classic culture of the Karavali Karnataka has been shown superbly. Goosebumps expected at every scene. Dont miss the climax its the core ot the movie.

  2. coolguyajit

    I seriously dont undertsand all the hooplah around it. Yes, the God-messenger thing is kind of novel but everything else is what we have been seeing in Indian movies for past several decades, the main storyline being the rich oppressing the poor or say the upper class oppressing the lower. Acting is loud, so is the background, it felt more like noise than background score. Climax is good, everything else is bore. I didnt find anything worth praising, there arent any special moments or dialogues either. I found it nothing but loud, too loud. Filled with overacting characters. I repent watching it.

    4.0 rating

    I seriously dont undertsand all the hooplah around it. Yes, the God-messenger thing is kind of novel but everything else is what we have been seeing in Indian movies for past several decades, the main storyline being the rich oppressing the poor or say the upper class oppressing the lower. Acting is loud, so is the background, it felt more like noise than background score. Climax is good, everything else is bore. I didnt find anything worth praising, there arent any special moments or dialogues either. I found it nothing but loud, too loud. Filled with overacting characters. I repent watching it.