Lijo Jose Pellishery’s “Malaikottai Vaaliban” offers a diverse mix of elements, including action-packed sequences, visually stunning frames, lively musical numbers, and some pacing issues in the initial half. Mohanlal’s portrayal of the titular character perfectly encapsulates the energy and enigma associated with him, making it a visual spectacle.
Katha Nandi’s performance as Jamanthi is commendable, while Sonalee Kulkarni’s portrayal of Rangapattinam Rangarani initially delights but later loses some of its initial charm, a reflection of the character’s presentation by the writer PS Rafeeque and Lijo. Harish Peradi, Danish Sait, and Sanjana Chandran deliver strong performances as Ayyanar, Chamathakan, and Rangarani’s confidant, adding depth and intrigue to the narrative. Manoj Moses shines as Valiban’s younger brother, portraying both affectionate sibling and betrayed individual with conviction.
The first half of the film showcases vigor and valor, interspersed with occasional lags that mirror the nomadic lifestyle and the director’s filmmaking style. However, the monumental frames crafted by Madhu Neelakandan captivate viewers and hold their attention.
Although the buildup to the second half could have been tighter, it proves to be entertaining, with standout moments like the lengthy battle scene maintaining the film’s excitement. The eccentric characters encountered by Valiban throughout his journey add to the film’s epic feel. Prashanth Pillai’s music injects energy into the narrative, complementing various moods effectively.
The awe-inspiring shots owe much to the art directors’ understanding of the director’s vision, while the costumes remain intriguing and consistent. The film delves into emotional turmoil, exploring themes of jealousy, misunderstandings, and obsession, depicting the complexities of human relationships. While the core storyline lacks originality without Valiban, it incorporates intriguing elements that add depth to the narrative. Overall, “Malaikottai Vaaliban” bears the distinctive stamp of Lijo’s directorial style.
